#but I'm not talking about it as much as I want to 1. because I haven't finished so I'm not looking in the tags

[hyperfixiation-station]

Behind Enemy Lines Pt.1

CW: Torture, Canon-typical violence, talk of derealization, disassociation Summary: You were a friendly medic, captured years ago and held prisoner, forced to do do the bidding of your captors. Years later, a man by the name of Ghost is dragged in and changes the trajectory of your life. A/N: I had severe ADHD, and i am unmedicated rn, and it makes it really hard to work on things unless I get the hyperfocused drive for it, so I'm sorry I'm so bad at making the other parts to my fics. Know that I will never abandon them. it just might take me a while. idea part 2

You fought back, at first. Way back when you first got captured, taken from your base camp and dragged through miles and miles of harsh terrain, blindfolded and bound. A medic you were, yes. But your team had trained you with the best of them. You spent the whole time trying to escape, kicking and screaming until they bound your legs and gagged you. You spent the first month of captivity refusing to talk to them, hissing and spitting and pretending their punches didn’t hurt. But it didn't take you long to realize it was better to cooperate, or to at least be civil. Civility got you less broken bones, less pain, more rations, more sleep. Cooperation didn’t come till later, when you finally realized your team wasn't coming for youthey were dead but you didn't know that.

Surprisingly, the whole mouth-getting-sewn-shut didn't happen till a couple years in... they were torturing someone, a man who said he had kids and a wife at home, whose only wish was that they left something recognizable of him so they could get some closure. You begged them to stop. Begged them to stop when his wounds became too numerous to count, too much for you to handle. Begged because you started to care for him as he told you about his son and daughter, how they want him home for Christmas(You didn't have the heart to tell him Christmas was 6 days ago) Told them that he would die no matter what you did if they continued. Well, they didn't stop, and he did die... and you found yourself ringing in the new year by being strapped to a table.

“We warned you to stop talking with him.” They said as they clamped the metal shut over your forehead and chin, holding you in place. “We told you to not get attached, but since you can’t seem to do it on your own, we’ll help you.” The feeding tube came 2 weeks later, shoved up your nose when they realized you were starving...they couldn't lose their favorite medic of course.

You stopped paying attention to the passage of time after that, spent most of your days drifting in and out of reality, moving through the motions with a practiced ease. And it would have remained that way, if it wasn’t for a man in a skull mask with a team- a family- looking for him. 

Your first introduction to him ended up with you getting a broken nose. Per usual, you were shoved into the cell, medical kit in hand, ready to fix up whatever damage your captors had done the their poor prisoner.

The mask he had been wearing when you saw him dragged in was gone, and he had a gash that went all the way through his cheek that would need stitching up. You pull out your equipment, moving slowly towards his bleeding face. 

he headbutted you the moment you got close enough for him to reach, and the crunch of bone and the gush of warm blood followed, not that you noticed. You were still in that dreamlike state, not quite tether to reality in the way you should be. You barely noticed when they tranqued him, and the only reason you didn't finish his stitches is because you passed out too(it’s hard to breathe through a bloody, broken nose)

The next time you approach more carefully, but he’s no trouble. Mostly because they left him completely strapped to the table this time. Today was a rare day, a time when you  could actually feel your feet on the ground rather than just see them. You feel bad as you wipe him down, your eyes flicking over the myriad of scars on his body. What’s one more you think to yourself as you get to work stitching a stab wound to his thigh. Just barely missed the artery here…that could have been bad news. Okay tie it off and- there we go. I think the only other thing that need to- oh, is he…talking to me? I should probably pay attention to that.

“-here?” His voice is gravely, though you suppose yours would be too after being tortured. He stares at you expectantly, and you shrug. You don’t know what he said, and even if you did, you couldn’t answer. You just move to his wrist, snapping the bone back in place. He inhales sharply, but doesn’t make an actual sound, which surprises you. But you don’t dwell on it, wrapping a bandage around his arm and moving to exit the room. 

“Y’ no’ g’nna lemme off?” His voice sounds, “they said y’ would.” You spin around, staring at him. You're not stupid. And even if your…bosses had said that, you still wouldn’t do it. Being trapped in a room with a man who is at least a foot taller than you and looks like he could kill a man with his glare? No thank you. 

You take a step back, heading towards the door. The man lets out a sound you would barely qualify as a laugh. “Sm’rt then.” He says to himself, “No’ gonna be that easy.” 

The next time you go in, you can't help but wonder what they want from this man. By now they usually would have killed him off. Oh well, not your job to wonder. You clean him up, splinting the fingers they had broke when he talks to you again.

"why don't y' let me die?" He says, voice just as gravely as before, "Put me outa m' misery?" You don't respond, just keep taping his hand. IT's something you ad asked yourself, right at the beginning. It would be kinder for you to just let your patients die. But you couldn't do it. Partially because you were punished anytime someone died before your captors wanted them to, but also because you were a medic. YOu were there to heal. You couldn't stomach letting someone die by your hand.

"Answer me!" The man snarls, bringing you back to the present, "For god's sake y' never talk, fuckin' mute." You don't respond, of course. Just finish your task and leave him to his thoughts.

He’s angrier after that time, you’ve noticed. The few times you're actually present, he’s fighting you. Usually not with words, but he bucks and doesn’t hold still. He’s tried to grab your medical supplies countless times, and one time you actually had to be pulled out because he jerked his arm while you were stitching him and somehow managed to drive the needle into your own hand. The few times he does actually yell at you, you’re usually not paying attention. You can catch words like “Dishonorable”  and “Disgraceful”. You aren’t entirely sure of the context of the words, but you can guess. You’ve treated enough prisoners who think that you are the world's worst human being, a blight to the medical field, to guess what he's trying to tell you. 

It's funny though, this man so full of hate. Because, for the first time in goodness knows how long, your feet are on the ground, and your head is level. Something about this man, his angry, uncrushed demeanor, even after weeks of torture, stirs emotion in you that you can’t quite identify. And maybe you should be grateful, thankful your head is on right, but you're not. You so desperately want to go back to that place of apathy and detachment, where your emotions weren’t so strong, were the pains of mishealed bones and poorly healed scars didn’t plague your waking moments. 

Or maybe it wasn’t the man- The Ghost, as you found out he was called. Maybe it was the fact that something in the air had changed. The air was electric, charged with tension so thick you could feel it even alone in your cot. They were watching you, you could tell. Could feel their eyes tracking your movements in a way they hadn’t since first giving you freedom to move around. 

You're not sure why. It’s not like you have anyone to go home to. You were an only child, and your parents had died long before you reached 18. All you had was your team, a team that had seemingly abandoned you. So why would you leave? There was nowhere to go. And yet they watched you. Was it because you were becoming more aware, more grounded then you had been in a long while? Was it the man, Ghost, who had them on edge? 

The answer came two days later. You were in Ghost's cell again, desperately packing gauze into a gaping hole on his side. You don’t know what had happened, but for the first time in years you were dragged from your cell, your captors muttering under their breath in a language you still didn’t understand as they thrust you into his cell. Blood was everywhere. Your best guess was that Ghost had been struggling and an instrument had slipped and gouged out a hole in his side. So here you are, packing gauze into the wound as you try to figure out what to do to keep him alive with your rudimentary supplies. 

You pack another piece of gauze in just as the door goes flying open. Men, dressed in black, wearing the same mask Ghost was, come bursting in. 

“Get back!” The one in the front yells at you, gun pointed in your face. You shake your head, hands pressed against Ghost’s wound. 

“Now!” You make a protesting noise, trying to gesture with your chin. The man looks down, eyes widening. 

“Aw shit- are you the medic?” You nod almost desperately. The man looks at you again, staring at your hands. They are shaking, pressed against the wound as you try to keep Ghost from bleeding out. 

“Fix him.” The man snaps. You shake your head and look up at the man, trying to communicate that you need more supplies. 

“Use your words.” The man gabs the gun at you, indicating he wants you to get on with it. You stomp your foot, shaking your head again. 

“What, what's that supposed..…you can’t speak, can you?” You nod, glad he finally got it. The man groans, lowering his gun.

“You’re coming with us, but you make one wrong move, and I mean one, I will put a bullet through your brain before you can even speak. Got it?” He gestures to the other two men with him, and together you lift Ghost up, carrying him out to safety.

A/N- anyways, here's part one. Sorry if it disappoints anyone

tags, sorry if i missed any:

@redzluvvesage @just-a-harmless-potato-05  @vesna-the-spring @princess312 @norsehorseofcourse-blog @bonniperinktrance @soggywafflezz  @littlebunie @sirbonesly @havoc973 @mommymilkers0526 @thegreyjoyed @pinkiliciousgunp0int @poopoobuttsy @darcellethedreamer @kamote-kuneho

[ashofteh]

... there's a chance that a lesbian ...

62% statistic doesn't hold much weight when all but 1 of the categories it's pulling from are based fringe exception cases to one's usual sexual behavior.

sure, but we were talking about a chance, and clearly there is a chance. sure not a guarantee or perhaps not anything regular but a chance none the less.

I didn't write on hermeneutical injustice because I didn't oppose that part of your post. you're right, we need words to describe things so we can discuss them and organise around certain issues which is absolutely important when fighting oppression. and in my country "woman who likes women but not men" is how the word lesbian is used, so yeah "assuming that means they aren't interested in men at all is the right thing to do" makes sense in that context, but not in western context of sexuality is complex and anyone identifying as any sexuality is valid. (as seen here)

what you want (category of woman who likes women but not men) means excluding lesbians who like both (or aren't women) from that category and if you want that word to actually mean that, then the people who don't fit the definition can't identify as it. which would imply that yeah their id is invalid, based on your post I'm guessing that's not something you want to do. basically how do you think you can make sure we have a word (any word not just lesbian) that means something specific without gatekeeping and being exclusionary?

Just to be very, very clear: this blog supports trans women. This is not asking about genital preference, nor whether you would have sex with a trans person, nor if you're "really" a lesbian based on your answer. Sexuality is complex and there are countless reasons a person might choose to have sex with someone else.

Be polite in the comments/reblogs.

–

We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.

[simpurnatural]

"Flustered" || Short-Fiction

XO, Kitty - Min Ho Moon x Fem!Reader

Note from Nat: "Back to back Min Ho fics??? Didn't expect to get so much positive feedback. Thanks for going easy on ya girl, I'm still a bit rusty! Enjoy and make sure to wipe that drool off your face babe!"

Warning(s): Spoilers for "XO, Kitty" seasons 1 & 2, A little bit of Smut, Language, Sorta Proofread

As the fall semester came to an end, with everyone not wanting to part ways even for a just a month, Min Ho decides to invite the entire friend group for a winter getaway.

“Where’s Y/n?” Asked Dae which made everyone’s heads turn before the sound of snow crunching was heard.

You approached the group that was currently enjoying the hot tub, arms crossed to keep your robe shut. Min Ho suggested that the hot tub would be best way to relax after a day of travelling

“Hi! Sorry I’m late to the party,” you smiled whilst kicking off your slippers, then sliding your robe off your shoulders.

“Hot damn girl,” Q said, overcame with astonishment. "Drop the workout routine asap please," he joked as everyone's eyes lingered on your figure.

“Oh stop it,” you laughed and rolled your eyes. “This old thing isn’t worth the hype,” you insisted, but everyone would’ve begged to differ.

The navy blue two piece you were sporting hugged all the right places. Your ass and tits looked like they needed saving. The sight was definitely giving body tea.

Everyone watched as you made your descent into the tub and sat in between Kitty and Min Ho. Kitty had given you a small wave whereas Min Ho could barely make eye contact. Various conversations continued but Min Ho remained in an unlike-him-silence.

He wondered how he had not noticed how hot you looked until now. Not saying that looks are everything, but Min Ho felt stuck on how he never gave you a second glance.

"-Right Min Ho?" Dae asks, turning to his best friend who was clearly zoning out.

"Sorry what?" Min Ho replied, snapping out of his trance.

"We're gonna be able to go skiing first thing tomorrow, right?" Dae reiterated, a slight tiredness in his voice due to Min Ho's lack of contribution to the conversation.

"Of course," Min Ho nodded before his gaze back on you, who was too busy chatting with Yuri and Kitty to realizing anything else.

"Woah okay, this is new," Q teased, as his eyes followed Min Ho's. "The bikini has got your eyes lurkin'" he says, making Jin snicker at the observation.

"What are you guys talking about?" you ask with an unaware smile on your lips, Min Ho's eyes instantly looking down.

"Min Ho here seems to have-" Q began.

"Shut it," Min Ho tsked before moving to leave the hot tub.

"Hey, we were just joking," Jin called out as Min Ho shuffled back into the house.

"What was that about?" Yuri questioned, all conversations now put on pause.

"Is Min Ho okay?" Kitty asked, looking to the other boys occupying the hot tub.

"He's just a little flustered," Dae replied, the feeling of worry instantly overcame you.

"Did I do something?" you say wide-eyed but to no response. "I'll go check on him," you say before making your way out of the tub and walking towards the house. "Min Ho?" your voice echoed throughout the home.

You noticed a light coming from inside the kitchen and chose to investigate. There stood Min Ho, chugging a bottle of water with his slim yet toned physique being illuminated by the refrigerator light. He began to cough up said water after realizing your presence.

"Bloody hell, you scared me," he coughed, covering his face with the inside of his elbow. "What is it Y/n?" he asks while shutting the fridge door.

"What's with you?" you quizzed, "Ever since I joined you guys outside, you've been quiet and when I tried to converse with you-you run back inside!" you add with a hint of frustration in your voice.

"It's not my fault-"

"-So it's mine? What did I do wrong?" you cut off, urgently wanting an answer as to why your friend was avoiding you.

"Y/n, it's because y-you literally look like t-that!" Min Ho exclaimed as if it were common knowledge. "How else is a guy supposed to act when you decide walk around wearing something like that?" he questioned.

"Is what I have on not okay? Was there something in my hair?" you blabbered in response, instantly being overcame with the self-conscious feeling.

"It's fact that when I saw you earlier, I wish you didn't have anything on" Min Ho muttered in an almost whisper like volume.

The realization finally hit you, Min Ho had been eyeing you since you stepped into the hot tub. You face flushed a bright red, clearly flattered by the words that just came out of his mouth.

"So what you're saying is-"

"What I'm saying is that you look almost too good," Min Ho said, his voice deep and eyes darkened like a lion about to pounce on his next prey.

The small distance between the two of you shut in almost an instant, his hand cupped the side of your face gently. You could've sworn that the beat of your heart could be heard from miles away.

Your lack of response gave Min Ho time to lift you up and place you on the kitchen counter. Accidentally, you let out a small whimper at the feeling of the cold tile touching your skin. Min Ho felt as if he could've finished off that noise alone.

Standing between your legs, Min Ho's hands traveled all the way back down to your ass. You watched his eyes really take in your body, as if he could drink you up like a glass of water.

"Tell me to stop, and I will" Min Ho whispered as he gave your plump skin a squeeze.

Leaning in with your lips close to his ear, finally you replied, "I don't think I want you to stop".

Min Ho took this as his green light and you felt as his hands unclasped your bikini top. Grabbing the piece of clothing, he tossed away fand his eyes settled on your breast.

Biting his lip, Min Ho took one of each into his hands. "Beautiful. You are so beautiful Y/n," he said with is his accent thick, almost like he was about to melt at the sight of you.

You gasped at the feeling of his breath on your tits, causing a domino effect of butterflies and goosebumps to cover you. Min Ho chuckled at this, rubbing your nipples with his thumb in a circular motion.

Eyes closed; you threw your head back at the sensation before feeling something foreign come in contact with your breast. Min Ho's tongue began exploring your chest. It was as if he was trying to paint a picture.

His grasp on your tits became slightly more secure as he was egged on by your moans. He was marking his territory all over you with bright red hickeys.

Your half assed attempt to stifle your moans was with the palm of your hand. Min Ho however loved how loud you were getting for him and yanked your hand away from your face.

"I want to hear you," he insisted, pulling his lips away from your chest for a mere moment. "I want to hear you all night," he smirked, leaning in for a kiss.

"Uh guys?" a voiced that belonged to Yuri called out. "Is everything alright?" she asked, her voice trailing off into the hallway probably in search of you both.

Min Ho looked down with a smile on his face before getting your swim top from the ground. You quickly put it back on then pulled your hair to the front to cover the marks Min Ho left behind.

"W-we're here Yuri!" you replied hopping off the counter and walking out of the kitchen with Min Ho right behind you.

As Yuri came walking back towards you guys, her head tilted to the side in confusion, "What were you guys doing over there in the dark?"

"Just got some water," Min Ho replied, which seemingly convinced Yuri enough for her to walk back outside. "I'm not done with you yet," he whispered in your ear, giving your ass a slap.

JAN 2025

[ccsainzleclerc5516]

That’s Not What Friends Do (part 2)

Pairing: Lando Norris x reader

Warnings: none, this is so short I’m so sorry I just don’t have the motivation to finish this ugh..

part 1

As soon as the Brazilian GP was over, you were overcome with guilt for not being there for Lando. You already knew how it would look like after an unsuccessful race, he would shift all the blame to himself and that failure would eat him up for days.

You couldn't help but wonder if anything would have been different if you had gone to Brazil with him. Probably not, but at least you could have given him the comfort he so desperately needed right then and there. And that's why as soon as he returned home, you immediately found yourself knocking on the door of his apartment in Monaco.

"Hey, Lan" You gave him a soft smile looking straight into his eyes when he opened the door.

He smiled weakly back at you, saying nothing. He didn't even need to say anything because you could see the sadness in his sleepless eyes, so you wrapped your arms around his neck, pulling him into a tight and comforting hug.

"What took you so long?" He whispered as he buried his head in your neck, holding his arms tightly around your waist.

"I'm sorry, I came as soon as I could" You said gently caressing the back of his head.

The evening went by with you trying to talk to him about it, but he wasn't in the mood for it. He just wanted to take his mind off what was, for him, a tough defeat and enjoy your company, so you didn't push it.

You ordered food, had dinner, and then turned on a movie. Everyone was on their own end of the couch, Lando was lying on the elongated part, and you were sitting a little further away from him.

As the movie went on, you kept adjusting your position because it became uncomfortable for you to keep sitting.

"What's wrong?" Lando asked when you let out a deep sigh. "Are you getting bored with the movie?"

"No, but my back is starting to hurt." You stretch as you say.

"Come here" He extends his arm, signaling you to come lie down next to him.

"It's okay, don't worry" You want to. So much. But you know you shouldn't.

"Come" He insists.

You sigh, but move over to him anyway, resting your head on his shoulder as he wraps his arm around you. The movie continues, but Lando completely shifts his focus from the movie to you. Lucky for him, you don't see his gaze drop down to you as you lie curled up next to him, but you definitely feel his fingers gently playing with your hair. You just hope that the butterflies you feel in your stomach don't jump out and give you away.

"Are you okay, Lan?" You ask looking up at him.

He smiles at you and places his hand on your cheek. "I'm better now"

You blush at his gesture, thinking to yourself this is not what friends do. Lando was almost certain he was going to kiss you tonight. This was the perfect opportunity with you on him like this, with you pressed tightly against him and in his arms. Everything was leading to that.

"I'm sorry I couldn't be with you for the weekend. I was really busy finishing up the project I'd been working on."

"Were you really?" He asked with a hint of suspicion.

"Of course I was. I don't understand why do you think I would lie to you? You know I'm always "

"I don't know." He shrugs. "Maybe you wanted to be with your date that you still haven't told me about." The butterflies in your stomach fly away as soon as he mentions the date.

At that very moment, so late at night, your phone, which was next to you on the couch, rang and the screen displayed Charles's name and surname and seeing that, Lando's heart dropped.

"Charles Leclerc? You're fucking Charles Leclerc?"

@tvdtw4ever @gulphulp @harrysdimple05 @444-leqz @htpssgavi @honethatty12 @l-vroom4 @enjoythebutterflies3 @charlesgirl16 @scopeiguess @dontsupressthejess

[starlighttsv]

Best of both worlds - Paige’s daughter

💌 Syn: Paige is on “the best of both worlds” podcast during her world tour

»»— warnings: none :)

»»— notes: 🗑️😃 but only 1 more fic before i’m done trying to edit these cringy stories 🤗

»»— word count: 1k

»»— pair: paige x daughter!oc || lilah bueckers

Todays the day of filming Flaujae's podcast "the best of both worlds" hosted in Atlanta currently because of overtime Queen of the Court. Lilah is also with Paige but the time of filming the podcast, is a few minutes after her nap time starts and she can never skip naps or she'll be a very grumpy sassy 1 year old. So she's gonna sleep in the room next door and Paige & Flaujae are gonna leave the filming room door cracked so Paige can hear if she wakes up or anything.

"Alright guys now moving on, today's special guest is.....Paige Bueckers!" Flaujae introduces "hey everyone! Thank you for having me." Paige replies

"So I have some questions for you" flaujae starts, making Paige nod and say go ahead.

"What is your favorite basketball highlight of yours?"

"Ooo wait...oh I'm gonna go with when I was shooting the ball and it bounced off the rim, and then straight down in the bucket. I love that highlight"

"I saw that one! That was so dope!"

"Alright, what's your favorite basketball picture of you?"

"The one where I'm looking at the fans screaming after a basket, and there all screaming back at me. I need to get that framed!"

"Y'all heard her, get that picture framed for her" Flau says making her and Paige laugh a little and joke around for a few. "Alright who has more rizz?" Flaujae jokes "oh cmon, I'm the greatest rizzler of all time" Paige laughs making Flau also start to laugh "Alright I'll give you that. People say I'm a flirty person until I'm talking to someone I like" "your just shy or?" Paige cuts in "no it's more of just like I don't want to push it to much." Flaujae adds "oh I get that, I get that"

"You need to give me some tips." Flaujae jokingly says "alright-" Paige starts "off camera, off camera" Flaujae cuts in making Paige agree "Alright alright, a little more serious questions" Flaujae starts "you have a daughter" she adds making Paige nod "what's your favorite thing about her?"

"Ooo uhh, I honestly don't know. Uhh her love for adventure maybe? She loves going to new places, seeing new people, seeing animals she's never seen before. She loves even going on like "road-trips" to the store or gas station." Paige answered "Shes been with you for your whole "world tour" so far, right?" Flau questions "yeah.“

"What was your favorite thing to do with her on your world tour? And what was her favorite thing to do, if you know?"

"My favorite was umm oh our LA trip, we did a lot there. We went to Disneyland, Universal, a few museums, few beach trips, an aquarium vist, plus some more. Lilah's favorite was probably-" Paige stops talking as she hears Lilah walking through the hallway and calling out for her

"Mama" Lilah says, obviously looking for Paige. P takes a quick glance at Flaujae asking if she can bring Lilah in here, making Flaujae do a quick nod giving Paige her approval. "In here baby" P calls out, hearing Lilah start walking towards the filming room.

When she enters and sees Paige, she starts waddling towards P a little faster "good morning babe, how was your nap?" Paige asks, going on deaf ears as Lilah just walks closer to Paige and puts her hands on P’s thighs, a sign that she wants picked up. So Paige leans down and picks her up putting her on her thigh and Lilah immediately cuddles closer to Paige.

"I 100% have baby fever now. She's so cute omg" Flaujae says making Paige let out a chuckle "thank you" Paige says "well she's in here now so maybe she can answer your question. Lil what was your favorite thing we did so far this summer?"

She just cuddles into Paige more "cmon Lilah, I know you have favorites" P tries to convince her "ball and Disney" Lilah mumbles "she said ball and Disney, which translates to all star and Disneyland"P chuckles while rubbing Lilahs back, either to help her go back to sleep or to wake her up. Paige doesn’t really know the answer yet and she doesn’t think Lilah knows yet either

"I was gonna ask her favorite part of all star but looking at her, I don't think she wants to answer" Flaujae softly says, seeing that Lilah is trying not to fall asleep in Paige's arms right now  "she never really wants to talk after waking up, she just wants cuddles and silence to decide if she's awake for the day or not - but she said she loved meeting all the new people and seeing people she already knew again - especially loved seeing Diana, Sue, Breanna, Megan, Angel and Caitlyn, when I asked her." Flaujae nods and says  "so we can count on her to go to UConn" "I mean maybe? But I'm not gonna force her to follow my footsteps." Paige shrugs making Flau nod again "alright I'll move the subject away from your daughter, I got carried away. That's my bad"

Paige laughs a little, "Your good. I love talking about her any chance I get." Flaujae smiles at that and says "you seem like an amazing mom"

"Thank you. I try my best for her." Flaujae nods and then looks at her cards and says "alright we're gonna play a game. I'm gonna name a few of your teammates past and present, and I want you to give me one word that describes them." Paige nods still rubbing Lilahs back, and Lilahs just playing with Paige's chain now, deciding she wasn’t tired anymore.

"Kk Arnold" "goofy"

"Azzi Fudd" "consistent"

"Nika Mühl" "I have so many words to describe her....menace"

"Aaliyah Edwards" "dog"

"And last but not least, Ice Brady" "she icy"

Lilah stayed on Paige’s lap for the rest of filming, still just playing with P’s chain - and once filming was wrapped Paige took lilah to get some food before going back to the practice facility and go over plays with “team paige”

@melpthatsme @rebecca-woso @authentic-girl03

[low-budget-korra]

The lies Arcane Fandom likes to believe

Okay, I've seen a lot of awful takes in other social medias but now they are getting here too and I just can't. So I will talk abt the truth a lot of the fandom chose to ignore. And I'm saying "the truth" because different from a lot of ppl, I've actually watched the show and paid attention to the scenes.

1. Jinx is the only one who has been traumatized

Half of the worst takes about characters like Vi or Caitlyn, wouldn't exist if ppl realize that Jinx WASN'T the only one who got traumatized. Vi spent 7y getting beat up in prison, without eating properly and confined in a dirt cell. And no, she is not the one to blame for the person Jinx became. Jinx has to be held accountable for that, just as much as Silco for feeding her paranoias and manipulating her for years.

2. Caitlyn was a evil character and manipulated Vi

Season 1 Caitlyn shows nothing but empathy and patience, y'all like to say Jinx was a revolutionary but s1 Caitlyn was a revolutionary. "Oh but she was rich, she can't be" oh my sweet summer child...

Anyways, she wanted to end Silco cartel - that was destroying Zaun. She even managed to get a council meeting to talk about this. She wanted to change things and she was acting towards this.

Then she got kidnapped naked, tortured for hours, didn't take the shot that would have saved her mother's life, her mother was murdered, the memorial ceremony was attacked and yet she REFUSED to follow the council's ideas to use full force and invade Zaun. Which led us to

2.1 Caitlyn used the grey against innocents

She DIDN'T. She said it herself that the plan was to capture Silco's goons and destroy the slimmer factories. And we see that in the Hellfire sequence.

So stop spreading that she was using the grey against innocents bc the people she used against it were Chembaroons who provoked a civil war on Zaun for power, and used children labor in its factories. They are far from innocents.

2.2 Caitlyn manipulates Vi

I don't even know where this fake news came from bc I've already watched Arcane 3 times, watch at least 4 reaction channels and a few analysis on yt and no one apart from some of y'all in fandom sees this. Jinx manipulates Vi way more than Caitlyn, for example, she is the one that makes Vi believe that her becoming Jinx is her fault.

3. Viktor and Jayce did nothing wrong

Jayce basically built a Chernobyl above Zaun just bc if Hextech goes bad, people from Zaun would be the ones suffering the consequences and not Piltover.

Y'all like to call Caitlyn a genocide (even tho we didn't see any kill directly from hr actions), when Viktor is literally the one willing to kill people in the thousands just because he believes it's the best call. "I want to evolve all those willing to" excuse me? Sir, what "evolve" even means in this scenario? Bc those "evolved" ppl became nothing more than marionettes with no control over their actions and completely brainwashed.

4. Caitlyn was a dictator, she knew everything that was happening on Zaun and did nothing

Caitlyn was actually a pawn in Ambessa chess, a face to Ambessa actions, a face to take the blame for. Noxus could not just simply invade Piltover and install an Martial Law without the support of a major house like house Kiramman.

Essentially what Ambessa did was promote Caitlyn, and hide behind her status. Because if any other Piltie house questions, she could be like "but I'm just here to support the Kirammans, I'm just doing what Im told"

We see in episode 4 that the Noxians are the ones dealing with Zaun's turf wars. Do y'all actually believe their reports on what's happening was legit? Of course not. Caitlyn made her decisions based on those false reports that she didn't even give two fucks about bc she was still too focused on tracking Jinx. That's why when she started to really see what was going on and questions Ambessa, Ambessa quickly pulls the "mom" card to push Caitlyn back into her web.

Sure, she was still powerful and privileged but she wasn't in full control. And the fact that a lot of the fandom dismisses Ambessa's manipulation shows how good at that she is.

5. Vi choose to have sex instead of helping her suicidal sister

Vi DOESN'T watch Arcane. She doesn't know how bad Jinx was and mind you, last time Jinx was acting weird she blew up things instead of being suicidal. We, the Audience, watch her whole journey and change. Vi only stayed with her for a short period of time and she was in a coma for days. She doesn't know what happened after Isha sacrificed and how much this affected Jinx.

"breaking the cycle" could mean a lot of things and if you listen to her words when Caitlyn arrives, you can see that she clearly thinks Jinx is out there abt to blow something. She is blaming herself for believing in Jinx change of heart and not sad for her being suicidal, this prob actually never crossed Vi's mind.

6. CaitVi was forced

I can't with this ""argument"" CaitVi is the couple that has been built since s1 😭. I take that sometimes they were toxic (like when Cait hit Vi) but to say they were forced...please use it 🧠

7. Silco was a revolutionary and a good father do Jinx

Sure, in the past. There's nothing glorious or revolutionary in running a cartel, having business with corrupted cops and child labor. "But he was getting money to his revolution" my ass. He spent 7y doing nothing but becoming more and more powerful while Zaun became like the Pride Lands when Scar took over. He only gets back to his revolutionary ideas when Jinx stole the Hextech gem.

His beautiful speech doesn't match his horrible actions.

The fact that so many ppl see him as this perfect father figure, is the reason so many ppl so easily fall into abusive relationships. Yes, he took care of her but at the same time, he isolated Jinx from her sister , fed her paranoia and instigated her violence tendencies. And it's so clear bc the moment he was no longer in her life, she started to get better in her mental health.

Anyway to finish this long ass post lmao, I want to say that you are free to dislike and hate who you want and what narrative choice you want. The only thing, that ain't that hard, is be fucking honest abt it. There's no need to create bullshit expectations over your hate, ignoring the CANNON.

[messrsrarchives]

You’re starting to act just like your fascist Reggie—censoring others and trying to dictate what can and cannot be discussed in fandom. Telling people they can’t talk about politics because you, living in a first-world country, can’t handle it? You’re the one using real-world politics to justify a fictional ship with a fascist. Have you thought about how people who are genuinely anti-fascist might also dislike it in fiction? You can’t control fandom. If you want to like fascist characters, then just own it. While fiction might not feel like reality to you, for many, it is reality. Have you considered that the characters and headcanons you enjoy might reflect deeply personal experiences for others? Not everyone has the privilege to separate fiction from reality like you do.

hi feed, this message was brought to you by someone who has clearly never interacted with me ever !

WDYMMM "telling people they can't talk about politics" 😭😭 i fear that's my ENTIRE niche across two social media platforms. i fear my entire thing is politics in a fandom space + the real world. i fear that's literally what i'm known for. what 😖

i was gonna ignore this but i have so many receipts that i thought okay ! finna answer ! why not, let's entertain this <3 (below the cut because it's long)

assuming that this is a response to this post where, after watching elon perform two nazi salutes on stage, i said "hey! maybe you should stop calling people in fandom nazis for reading about a fictional character!"

what i alsooo said on that post is that it's important to discuss politics in literature (see here: doing a masters degree in english literature + politics <3). because absolutely! the DEs are crafted in a way that reflects historic events and absolutely, that's something we can discuss!

what we should also discuss is that whilst art imitiates life and life imitates art, the two do not directly reflect one another - if i read about wizards, i am not a wizard. if i read a crime book, i am not a detective. and if i read fanfic about regulus black? i am not a facist.

in regards to the censorship comment: this here is an entireeee video i made about censorship and puritanical views in fandom spaces and why this is a Bad Thing To Do (though i fear you will disagree with it because i am saying that people can read and write whatever but alas, no censorship here x)

using real world politics to justify a ship? no, not at all. i do not think ships in fandom need to be "justified" because, again, they are fiction. can they be discussed? absolutely! my tiktok is @/messrsrobyn and you will find countless videos where i dissect fandom, characters and ships. again, this is kind of my whole thing <33 nice to meet you <33 but rather for me? that post was made as a building up of (1) the mass of people in fandom during the tiktok ban saying that words have meaning when american writers say british words "wrong", but throw buzzwords around like it's nothing and (2) this is a place for escapism and safety, which is needed now more than ever and whilst discussions about politics are important, this? this ask? this is not a discussion. this is hostility, much like people just commenting "nazi" with nothing else on a jegulus post.

discussions can be had! absolutely! my entire thing is discussions in fandom. but right now i'm trying to discuss this when you have given me nothing to work with but false claims and hostility - see how this doesn't work? but alas, i'll try :)

do people read jegulus and think "wow i love voldemort and the death eaters!!! i agree with what the did here :D" or do they read jegulus and enjoy the complexity that comes with a character like him? do they enjoy how, with a character with such little canon lore, people explore things? or yk what, do they sometimes read him as a muggle where none of this matter because there's do DEs? yeah, because it's fiction. and liking a fictional character does not have repercussions on the real world.

calling someone a facist/nazi only for teading about fictional characters does - it is so incredibly important that we read immoral literature. i'm rambling now but i'm not even talking just about fandom. we NEED books that discuss these topics and we need to explore the characters within them. we NEED politics and immorality and everything like that in books because that is how we learn, understand, and prevent. reading them does make you immoral - see here: queer books being banned in the us for containing "immoral themes" and main characters doing things they deem had and awful alongside INCREDIBLYYYY important books like the handmaids tale, to kill a mockingbird, 1984, fahrenheit 451 etc etc.

we need to read these. we need to engage with them.

but in a fandom space, we also need to acknowledge that these are not real people. these are fictional characters and there's a big difference between engaging with a character because you are justifying their actions, and engaging with a character because you enjoy Exploring their character and Understanding them in as many ways as possible 🙂↕️

but we agree!! whilst fiction may not feel like reality to some people, to many it is! so have we considered that when people come to escape from the real world for a bit, or people have family members lost to past regimes; are about to enter 4 years of another regime or are holding their breath waiting for european elections to see if another far-right populist party gets in, it might sucklk to have this thrown around?

imagine dealing with alllll of that in reality, not knowing what on earth is going to happen tomorrow or what the future holds for you and the people you love, and then being called a facist online because you read about Fictional Character Regulus Black. whilst your life literally crumbles apart because of it. you are now being called the same thing that the man oppressing you and everyone you love is, because you read FanFiction.

and then finally ahem:

"not everyone has the privilege to separate fiction from reality like you do"

if you click here, you will find a tumblr post i made about this exact thing :D about how we can't separate fiction from reality

see here also: a post about the books jkr publishes under the robert galbraith pseudonym and about how we, again, cannot separate fiction from reality.

if you click here you will find my jkr playlist on tiktok which has videos in about how, again, we cannot separate fiction from reality.

what we also can't do, mind you is call someone a facist for reading a fictional character.

there is big difference between "hey! this character has facist undertones if applied irl, we could discuss this!" and "You Are A Facist For Reading It"

instead of coming and ranting to someone who has spoken extensivelyyyy about politics in this fandom space - both with fandom material and with elections, gaza, the uk riots etc etc - and is a huge advocate of dicussions and debates, put this energy into something productive.

like actual facists. real world politics and what you could be doing at a local level to help reduce the harm of Actual Facists that are in power right now. not people taking a break from Actual Facism to read fanfiction.

ta x

(p.s i'm a homeless, chronically-ill, gay, trans man. what privilege do i have in THISSS fandom space of JK ROWLINGSSSSS worlds, to separate reality from fiction? 😭)

[putschki1969]

Kalafina Anniversary Live 2025 Pamphlet HQ Scans Part 3

Part 1 | Part 2 | Part 3

Google Drive Link

👉  For PERSONAL USE ONLY 👉  CREDIT me and LINK to my blog if you use/share 👉  SUPPORT Kalafina | BUY the pamphlet

Interview with Hikaru

--This will be Kalafina's first live performance in about seven years. How did you feel when you found out that the concert was going to be held?

"Various emotions were going through my mind at the same time, but to sum it up in one sentence, I felt like 'we can do this'. I was beyond happy that the three of us would be able to sing Kalafina's music again, that it was actually becoming a reality. Six years had passed, so I was excited to see what would happen if the three of us sang together again."

--How did you feel when the three of you first got together to sing during a live rehearsal?

"Along with nostalgia, it brought back memories of Kalafina's chorus work. When the three of us sing together, it just feels so right. Over the past six years, I've had the opportunity to sing with many different people while working solo, but I think there is a unique sound and energy in each song that only the three of us can create."

--What did the three of you talk about during the first rehearsal?

"We had a packed schedule for our rehearsals so we weren't able to have any particularly deep discussions. We thought, 'let's just try to get in tune with each other,' so we spent our time singing with the image of regaining the feeling of being Kalafina."

--Were you able to quickly get back into the swing of things with Kalafina?

"I immediately remembered how it felt back then. However, because we had been apart for a while, even though I was able to regain that feeling, I felt that it would take a little more time to express those feelings through my singing. Those first few rehearsals really helped me see what I needed to do from now on."

--So it was necessary to re-examine what you need to do to sing as a member of Kalafina?

"That's right. We have a renewed sense of determination to do our best. Naturally, the time and experience each of us has gained working as solo artists comes into play when we get together as a trio to sing, but beyond that, there is something unchanging about Kalafina. It may be an exaggeration to say it's almost like a chemical reaction when we come together, but I want to take on the challenge once again to see how beautiful a melody we can create as a trio."

--What do you think of Wakana and Keiko's vocal appeal?

"There are many singers in the world who can produce beautiful high notes and low notes, but these two are really special to me. Wakana has always been said to be great at expressing transience and sorrow, but what's even more impressive is that her voice is not simply delicate but also has energy and strength to it. Keiko has a deep, enveloping voice, and her charm is that you can feel so much love in her cool low notes. Also, there's a new feeling to her voice that I didn't feel during the 10 years she was with Kalafina, maybe it's because she's been doing solo work that I'm able to feel this."

--The current Kalafina probably combines the unchanging things from when you were singing as a trio, and the growth that has come with your solo activities.

"Yes, I think that everyone who comes to our live show might feel this way. But of course, it's all subjective and everyone is free to feel whatever they want so even if you feel like 'Kalafina never changes no matter how much time passes' or 'this is a completely new and mature Kalafina', we will be happy. We have had 10 years as Kalafina, and 7 years by ourselves, all of this has made us who we are today."

--Now, what do you think about the appeal of Kalafina's music?

"The songs were written to suit our voices, and I think they are unique songs that make the most of each of our individual strengths. That's why it feels lonely to sing them by myself. When I first went solo, I sang Kalafina songs during my live concert and it felt so lonely that I stopped singing them after that *laughs*. Because these songs were written for the three of us to sing, I simply want to fulfill the role of Hikaru that the songs require, and I believe that by doing so, the songs will resonate more with everyone."

--What are your thoughts about all the fans who have continued to love Kalafina for such a long time?

"So many people have supported our activities over the past 10 years, and there are so many people who have continued to listen to Kalafina's music even after that, I have nothing but gratitude for them. Kalafina is really special to me, and I think that everyone has always known this. I want to convey to everyone at the live in January, 'thank you for waiting for us all this time.'"

--Finally, please tell us your thoughts about today's pamphlet photo shoot.

"It felt like it had been so long since the three of us had been together like this, we remembered the feeling of taking group photos, the distance and subsequent intimacy we felt when we were told to 'get a little closer together' *laughs*. And we even got to talk about personal things in between takes, it really felt like we were continuing right where we had left off with no gaps in between."

[forevergoldgame]

Episode 1 Progress Update, Part 2

We're in the process of putting all the story scenes we've written in-engine! As we go, Dan's hacking through the remaining art assets, and I'm tying up some loose ends related to systems and variable storage.

Keep reading for more details!

Writing, writing, writing

At this point, the draft mentioned in the previous update has been more or less fully realized. There's still plenty of editing to do, of course, but the episode's narrative is complete aside from a collection of short variable scenes.

We won't reveal too many specifics just yet, but the scope of Episode 1 will take you from Quincy's last day as mine inspector through to the christening of the Prince's Convoy. Along the way, you'll meet most everyone from the demo (save for Oscar and Imani) as well as a few characters you haven't, make foundational choices about the kind of man Quincy is, and actually get a proper introduction to the setting and conflict.

Changes to: art, character designs

You may have noticed some of the portraits in these screencaps are different from the demo. Once Episode 1 is out, it will be much harder to make design changes, and so we've decided to take the opportunity to revise a few character designs we weren't happy with. Nothing too crazy, but you might see a change of hair style or color here and there.

Art updates might happen here and there throughout development as Dan's work evolves, but the character designs themselves are less likely to such alterations after release. (Not counting diegetic changes in appearance, of course.)

[PICTURED: Dan's faltering suspension of disbelief over Lucas's ability to continuously dye his roots while traveling. ]

Changes to: systems, traits, and more

As we wrote Episode 1, I spent a lot of time rethinking the back end. Writing an entire episode gave me perspective on how the systems I wrote for the demo did and didn't work. I could talk at length about this, but most of said systems (like experience/leveling and reputation) were not represented in the demo due to its small scope. Seeing as no one would really understand or appreciate the details, I'll try to keep it brief instead.

LEVELING: Originally, leveling was going to be based on earning experience points. EXP would be awarded for completing quests and attempting skill checks, but we found that pacing an EXP curve in a game like this was a lot of work for a system which is ultimately at odds with a story based more on "narrative" than "winning." In the end, we did away with the concept of EXP in favor of a leveling system that is tied to main story progression.

REPUTATION: You may recall from the demo that Quincy's statistics listed a few different reputation continuum: rebel or orthodox, apathetic or ambitious, and so on. These were going to be tallies that kept track of the player's cumulative actions so that the system could easily calculate how certain characters felt about Quincy in a somewhat organic way. However, once we got writing, we realized the system was needlessly complicated, full of logistical holes, and redundant with other decision tracking handled by other parts of the system. And so, I replaced it with...

IDEALS: Ideals are somewhat like traits in that they alter text pertaining to Quincy's inner monologue and offer the player special dialog options. However, unlike traits, Quincy's ideals are somewhat malleable. If a Quincy with the "earnest" ideal continuously lies at every opportunity... well, eventually someone will notice.

AFFINITY/FRIENDSHIP: Much like reputation, the affinity system from the demo was both overly complicated and too simple to do what it needed. We knew we wanted something more organic than the standard "you completed my sidequest so now I'm in love with you because you're the main character" RPG approach since Forever Gold is more story-based, but the solution I came up with... was stupid.

I won't say how the new affinity system works - it'd spoil some of the magic if I told you exactly what actions the game was tracking and why - but it's simple on the back end while having enough complexity to create interesting roleplaying.

TRAITS: Traits have largely remained the same but have gained more importance as other systems shifted. In addition to the eight available to choose in the demo, there are three more to see in Episode 1. A few of them have been tweaked or renamed for clarity: the two traits that shared the name "Haretouched" are now called "Pariah" and "Maverick" to prevent confusion, and "Cleithrophobic" has been expanded into "Wilding" so that it better acts as a parallel quirk to Plutonist.

BETTER TOUCH CONTROLS FOR MOBILE + SMOOTHER NAVIGATION FOR DESKTOP: As it says on the tin. A lot of navigation that felt like it should have been swipeable on mobile or scrollable on desktop wasn't. But it is now!

In closing...

We're getting there. Man are we getting there. We've been pulling crazy hours on this lately.

-LS

[panomiels-box]

【project eden's garden rambles ≫ spoilers! ⚠︎】

so eva's name (and her murdering in chapter 1) is without a doubt a reference to the biblical figure eve.

and damon, which has its own resonance with the name adam, also has symbolism connecting him to the latter: the apple that falls into his hand in the op (probably reaching here but his hair/ahoge also loosely resembles the shape of an apple, at least to me), the snake on his tie.....

but i wonder if damon's name (and character) could also be a reference to the greek mythological figure damon from the story "damon and pythias"

interestingly, this greek legend exemplifies the ideal bond of friendship with sacrifice as a central theme. to quickly summarise it;

pythias is sentenced to death by the tyrannical dionysius i of syracuse for allegedly plotting against him. before getting executed, pythias requested settling some of his affairs first, which dionysius only agreed to because damon, pythias's friend, offered himself as a hostage during his absence. it was decided that if pythias didn't return in time for his execution, damon would be killed in his stead. the story has a good end as pythias does indeed return in time, and pleased by their formidable friendship, dionysius forgave and freed the two men.

now, to come back to p:eg - what i find super interesting with this is that it could foreshadow a crucial aspect of damon's character development. as we know, damon is an arrogant and direct person, but he still has a very real softness deep down within him. in fact, it's clearly shown to us that there isn't a need to dig much for it to shine through. his bond with the other characters is still rather surface level and not on good terms, but at some point, i do see him making allies/friends.

so knowing that about damon thus far, i can also see him eventually sacrificing himself in one way or another (not necessarily by dying) for one (or multiple) of his friends, like the greek mythology damon did.

personally, i think the friend he'd do that for is kai, but i'm biased lol. pythias doesn't resemble any of the other characters' names after all, so that's just me theorising away. therefore kai it is! (also i can't forget about that detail in the op...it has to be some kind of foreshadowing) however, it doesn't mean that act of sacrifice will end as miraculously well as the mythological story. there's just no way it can unfortunately - this is a danganronpa fangame at the end of the day :,)

something else regarding the damon and pythias story i also want to talk about, is the closeness between diana's and dionysius's names. not the closest match, but still interesting to note i think. it's fairly certain that diana will play an important role in the future, one that could potentially be antagonistic too.

perhaps similarly to dionysius, diana will give damon an ultimatum of sorts in which she has the upper hand. it'll be the reason for damon choosing to sacrifice himself and, depending on how things go, diana will either spare or kill him (or someone close to him). i say kill, but it doesn't necessarily have to be to that extent - betrayal is the key theme here.

let's also not forget that diana is the name of the roman goddess of the hunt (and lots of other things like childbirth, crossroads, the night, the moon..) equivalent to the goddess artemis of greek mythology. considering diana's last name venicia is of italian origin further enhances that relation too. plus, hunting being the goddess' original main association could imply that diana will 'hunt' someone eventually.

or, it could refer to how she could just be used for someone else's 'hunt' (which eva did) since the goddess diana is often viewed as a lucky symbol for hunters.

and, just to throw it out there - with desmond being the ultimate marksman and all (not to mention he has arrows on his back just like diana/artemis is almost always depicted with) if he becomes a blackened, it's possible diana will also play a key role in that murder case, whether passively or actively. i can see some kind of alliance (good or bad) forming between those two at some point - but hey, what do i know!

all in all, there're definitely hints to links and parallels between biblical/mythological figures and some characters of the p:eg's cast. i'm probably very, very off, especially since it's highly likely the devs will strive away from taking too much direct inspiration from biblical/mythological/animal motif stuff otherwise things could get too predictable. still, i think it's okay to point these things out and just have fun discussing it!

[deeplyshalllow]

I will agree with you that Fiyero is woefully underused in the musical, so we do have to use what we have to decipher what information we do have about him. Either way is headcanon.

However, this is what we get from act 1:

1) He is good at lying to people about who he is, all while being able to make himself likable

2) He is secretly unhappy and has been thinking about the day with the Lion Cub a lot

3) He takes the initiative to save Animals and help Elphaba, but in a way that doesn't immediately get them caught

With this in mind, along with his bitching in Thank Goodness and the fact that he immediately turns on the Wizard and runs off with Elphaba the moment he has a chance, I think it’s a much more plausible headcanon that he has always been working as a double agent than your headcanon that he’s decided instead to randomly embrace being a fascist.

“You're basing your interpretation of his character on speculation — because it is somewhat difficult, in some ways, to reconcile the compassionate boy we saw in the woods with the fascist commander he's become by Act II — but I'm basing my reading on sheer text; on the actions and statements on the page.”

Oh honey, you are so close!!! Maybe it’s hard to “reconcile the compassionate boy we saw in the woods with a fascist commander” because he isn’t one? Maybe if you “read by sheer text; on the actions and statements on the page” you’d realise that his actions in act one don’t make sense in act two if you read him as part of the regime? Are you sure you’re not “basing your interpretation of his character on speculation” because you don’t like Fiyeraba?

“Saying you'd totally join the Gestapo instead of the Resistance if given the chance — because of "resources and information" — is not the winning argument you think it is, I'm sorry, lol.”

Oh sorry, Fiyero should have just gone down to the resistance job shop and got a top post there! The resistance that, as far as we know, basically doesn’t exist, as it doesn’t seem like Elphaba has got much help either (we know there’s rebel Animals that shelter her, but she’s also at the point where she tries to beg her father for help and seriously considers just giving up and joining the Wizard). It is probably endlessly easier for Fiyero, especially with his connection to Glinda to get into the Gale Force.

You also completely ignored my second part of the argument. Someone has to do this job, if it’s not Fiyero it’s someone a lot worse. We know Fiyero has compassion for Animals, we know Fiyero wants to protect Elphaba (we literally see him doing so three times in act 2). If Fiyero places himself in command, however grim it might be, he now has some degree of control over Oz’s army and how much damage they can do to the Animals and Elphaba.

“None of which was REMOTELY planned, or even likely.”

It wasn’t planned that he’d meet her in the throne room, no, but it certainly was planned, by putting himself as the head of the search for the Witch, that if she was found in a dangerous situation he could get her out of it. He manages to get all his guards away and for her to escape safely, he couldn’t have done this if he’d been in any other position.

If you’re talking about the wider context, no obviously Glinda taking over wasn’t planned from this. But you told me him being in the Gale Force achieved nothing, it saved Elphaba’s life and allowed the ending to happen.

“Yes, she was literally forced into that, lol. Claiming she wasn't forced into her position when she was literally captured and molded into an asset of the regime — and then moralizing about her trying to make the best out of her literal enslavement — whilst somehow insisting that Fiyero going out of his way to enlist as an armed servant of the regime wasn't "endorsing the regime", is actually absurd.”

Oh don’t you fucking dare. Don’t you patronise Glinda by saying she didn’t have a choice. Don’t you ignore those quotes I gave you showing how she enjoyed it. Even her sad verse in Thank Goodness imply she joined because she wanted it (and only later found out it wasn’t quite how she planned). No one was going to imprison her, (you think my headcanons are wild lol), in the movie she literally only went to follow Elphaba because Morrible told her to, in the play she was given a little more agency, but she still made it very clear she was going to “get her back”, there’s literally no reason at all to enslave her, even in their eyes she’s done nothing wrong.

But ok, let’s take your “enslavement” fantasy scenario. Fiyero is literally the next candidate for Morrible to “enslave”, she knows he and Elphaba were at least tentative friends, she might even have realised he was also absent after the day with the Lion Cub, he’s dating Glinda and his royal connections and fame and likeability make him a useful asset. If Morrible really is blackmailing people to join her on trumped up charges, it would be very easy for her to either use the Lion Cub situation to blackmail into it, or threaten to hurt Glinda if he does not.

Sounds far-fetched? Yeah, you’re right. He joined willingly. Like Glinda.

“He acted on spontaneous desire, as he always does, and is a nihilist who never gave a shit about any of the things (or people) he cast to the wind to begin with. "He lost everything" — and you expect me to find that brave and romantic, I take it? I don't. Throwing caution and care aside to run off and have a passionate night with the object of his affects isn't WRONG — and I've never said that it is — it's foolish and selfish and impulsive.”

This is headcanon.

This is canon: he pointed a gun at the Wizard to help Elphaba escape. He had to escape too. (Did they have to have sex in the woods? Obviously not, but that’s kind of not really here or there, the egg was already broken, might as well make an omelette).

“He doesn't think about the potential consequences of abandoning Glinda; for never cared about either his own safety or hers,”

I’m sorry, are you really blaming Glinda telling Morrible and the Wizard to spread a rumour about hurting Nessa on Fiyero? Talk about fucking victim blaming.

I’d argue he cares a lot about Glinda’s safety actually, it’s pretty telling that all three times he saved Elphaba in act 2 (funny, you haven’t mentioned that in my reply) he leaves Glinda in a place where she not only is safe but can’t possibly be seen and arrested for supporting Elphaba. As for his own safety? Well he secures it in the throne room, by the cornfield scene he’s sort of out of options – so he gets his girls to safety and sacrifices himself – that’s not not knowing the consequences, it’s deciding he is ok with them.

“When he makes "plans", they're all very ad hoc and making resourceful use of situations that he absolutely did not (and could not) have planned for.”

Not the Elphaba faking her own death plan! That must have taken days as the scarecrow. And careful manoeuvring of everything involved!

“I think it's a bit sad that he behaves that way tbh: because it speaks to his pretty hollow existence, as Elphaba herself identified.”

Well I have happy news for you! He no longer has a hollow existence! That’s literally what act two is trying to tell us!

Elphaba: Fiyero, you frightened me. I thought, I though you might have changed. Fiyero: I have... changed. *

You’ve got me seeing through different eyes Somehow I’ve fallen under your spell and somehow I’m feeling it’s up that I fell

[Wicked Act II spoilers]

[edited for tone and clarity of purpose, apologies for initial crudeness and frustration]

Okay, obviously I'm biased, but I'm gonna need the Fiyeraba shippers to please set a lot of your people straight about some things. I've seen way too many people trying to say that Glinda is just a selfish bimbo and that Fiyero is a virtuous and selfless figure more worthy of Elphaba's love. I'll set aside for now the idea of "worthiness" in this context. But let's start off with Fiyero joining the Wizard. Hoo boy...

Yes, he was initially somewhat less tolerant of the propaganda against Elphaba than Glinda was; yes, he was secretly trying to find her so he could run away with her or whatever. But honey: those facts DO NOT fully absolve his actions as the Wizard's top officer, or selfish recklessness throughout Act II. I see so many popular threads and posts romanticizing and whitewashing with "oh but he didn't REALLY join the Wizard, he just pretended so he could try to get to Elphie! It's all for love, and he sacrificed everything for her!" As if the literal captain of the literally fascist forces responsible for the oppression of Animals wasn't equally responsible for said oppression?? Hello? Fiyero really didn't think of seeking out Elphaba in ANY other way that DIDN'T involve becoming *checks notes*... the trusted leader of the troops committing all the abuses she's fighting against in the first place???? Like it's cool and all that he helped with Brrr, and it's all well and good that he planned on betraying the Wizard as soon as he found Elphaba (which took literal years, so I guess we're left to assume he was prepared to just keep doing fascism indefinitely if she didn't show up????), but uh... it's kind of concerning to how eager some of you are to make excuses for this dude volunteering as the head of the Ozian Gestapo??? smdh

He didn't accomplish anything from it either, by the way — like yeah, we get it, he did everything he did whilst silently fantasizing about running away with the Witch he was being paid to hunt. Fine. But I can't be the only one who doesn't buy that as an actual excuse???? Like, guys: nobody forced him to join the fascist army — even with crazy ulterior motives. He wasn't coerced into it; it wasn't his only choice or anything. Searching for Elphaba did not somehow compel him to go and volunteer to follow (or to give!) orders in the name of the dictator who was trying to have her assassinated the entire time. He could have just not done all that. (Genuinely so curious how the second film plans on covering that material tbh)

Glinda made several questionable decisions that can be (and have been) debated, but she is still very unambiguously a victim. Her position in the Wizard's regime was foisted upon her. There are things we can discuss, but I find that many folks need reminding that Glinda would undoubtedly have been disposed of (or worse) if she failed to make herself useful. I mean hell: she wasn't even supposed to meet the Wizard in the first place — she was only there because of Elphie. If she'd tried to resist, it would have immediately gotten her labeled the Witch's accomplice. As soon as she'd chosen not to get on the broom, her fate was out of her hands, and all available options were varying degrees of horrible.

That's not the case with Fiyero. He went to the Wizard all on his own; no one ever cornered or forced him into it. Thinking Animals are people, and having a crush on Elphaba, simply did not stop him from carrying out the regime's orders — for years. It's not clear exactly how long he's been captain at the start of Act II, but the clear implication is that he's been a soldier for most of the time skip. I've seen Fiyeraba accounts with headcanons about him acting as a double agent, secretly doing stuff to help Animals — and that's a great idea, it would indeed serve to make a lot of his actions way more palatable — but until we actually get to SEE some of that (maybe they'll add it for the movie version of Act II; we'll have to see), there is nothing in the story to suggest that. He certainly didn't do a damn thing for all those Animals who were enslaved and caged in the Wizard's palace — and we don't see a single other Animal outside of there in Act II, so as far as we know Fiyero has participated over those years in the near-total removal of Animals from Ozian society. In the name of "finding Elphaba". Not fighting for her cause. Just finding HER. For HIMSELF.

It's fine to have a ship you like, obviously — and there is genuinely a lot to like about Fiyeraba, I don't dislike the idea of them as a couple or as friends — but come on guys: please stop those out there idealizing Fiyero as somehow a clear "morally-superior" alternative to Glinda, lol. The dude had power, access, and opportunities, for years, that he could have wielded in any number of really selfless, revolutionary ways. He didn't. And I propose (apparently controversially): he simply didn't want to. And that — at the end of the day — is (much as some would like to deny it) true to his character. He always WANTED to be self-absorbed and shallow, and all his actions are consistent with that. Elphaba saw depth and discontentment in him, yes: but (and I cannot stress this enough) when given the chance, he channeled that in the wrong direction. He didn't confront that and become a better person — for the most part he just displaced and projected it onto Elphaba as an object of obsession, and put on an even thicker pretense than before.

All his actions — regardless of the complexity he has deep down — are those of a man who never gives one fuck about anything or anyone, except (kinda sorta) Elphaba. But even then: at no time does the care he has for her seem to extend to caring about any of her wants or needs outside of sexual validation from him, or how she might feel about his actions, or indeed the impacts of those actions upon her, her cause, or anyone or anything else. I don't think it should be all that controversial to say: he doesn't think through the wider repercussions of anything he does — thoughtlessness is just one of his core character traits. He doesn't think ahead or see meaning in anything outside of what can temporarily excite him, in the moment. I think people place a little too much weight on Elphaba clocking him with regard to his internal pain, and seem to expect (understandably of course) that she is not only right, but moreover that he will grow from that in a positive direction, based on her influence.

But he doesn't. If anything, we get a surprising inverse: he pretty much proves her wrong. Not to say he didn't have hidden depth and all that, like she said: but his hypothetical heart of gold proves not to really amount to much in practice. He doesn't grow out of his shallowness and his self-centeredness: he grows into it in a way that he hadn't quite yet in school. Where once he was only masking an internal listlessness, after he's been cracked open by Elphaba he decides to be genuinely self-absorbed and deeply shallow, not just coasting by. He performs in new ways — as a soldier, eventually as a "fiancé", etc. — but by Act II we meet a Fiyero who has staked the last remaining shred of humanity in him on the vain pursuit of the only object of his desire that has ever been unavailable to him, and firmly chosen to say to hell with everyone and everything else.

When put to the test, Fiyero sacrifices Glinda, the Animals, and all else that Elphaba actually cared about, to pursue his own unresolved crush from college. Mostly to get in her pants, really — as harsh as I'm sure that sounds. But let me be frank: that is literally all he ever accomplishes in the show. He gives her dick one time, and one of his castles, and that's it. That's the culmination of his years trying to find her — years in which he actively worked as one of the stormtroopers (or even the one commanding them) committing untold crimes against Animalkind (who, again, it seems have been all but erased from Oz by Act II): y'know, the very crimes Elphaba sacrificed her life to try and stop????? He spent the most important time of his life — of his own free will — being a fascist soldier, but he "did it for her" somehow, so according to some, it's perfectly fine. Heroic, even. Yikes??

But let's make something very clear (since my original version of this post caught a lot of flak, including slurs and other rudeness):

I like Fiyero. I find his role extremely interesting (I could do a whole dissertation on him, but I'm especially a fan of the way his proving Elphaba's assessment of him wrong presents a fascinating parallel and contrast with Glinda, which I think is lost on a lot of people). But PLEASE stop with all the misguided Glinda slander and idealization of Fiyero. By all means, thirst! But don't give me all this bullshit about him deserving Elphaba more, or being super deep, or being really principled or noble or whatever else. He does have layers, and quite intriguing ones, but his insides are straw — he isn't meant to have some deep, overwrought emotional core or motivations; he has passions that he acts upon when given the chance. That's it. And that's fine. Actually kind of refreshing in a story rooted in simple children's fantasy but rife with intensely complicated personalities. Fiyero makes it his mission to represent denial of depth and embrace of raw, spontaneous desire — and I for one love that, and wish others appreciated it.

And in all seriousness, shipping wars aside: by the end of the story, it's Glinda who is ultimately vindicated, and has — for all her faults — made the necessary choices to fulfill Elphaba's wishes, bring down the regime, etc. And all that despite herself. She's miserable: not just because of the mistakes she made, but because of her correct moves as well. Fiyero is simply not — and could never be — that person. And that's okay! Like I said: I am not anti-Fiyero. Fiyero's willingness to throw it all away for the sake of sheer, overriding passion is a huge part of what people like about him, of course — and it's an obvious factor in the attraction between him and Elphaba, because she has her own flavor of that impulse as well — but I'd actually argue that it's not romantic, it's his fatal flaw. And thematically that's fantastic! But I just don't believe that it somehow means he "deserves Elphaba more" because he "gave up his life for her" or whatever. In part because NOBODY truly "deserves" Elphie tbh, not 100% (and I question anybody who claims otherwise), but ultimately because I don't accept the idea that his fleeting acts of passion make up for all the shit leading up to them (or even proceeding after them tbh). At least Glinda managed to do what Elphaba always wanted in the end — but I would die on this hill even if Gelphie didn't exist.

You don't have to agree with my analysis of Fiyero and his choices, relationships, etc. — that's fine. What isn't fine is trying to portray Glinda as some kind of spineless traitor whore for the Wizard and Fiyero as a conscientious hero who earned Elphie through self-sacrifice. That's just not the story that was written. It's WAY messier and more interesting than that.

[funnier-as-a-system]

Hey, um... This ain't exactly.. An easy thing to say but, uh..

.._I SCARED OFF MY HEADMATES._

I JUST REFERRED TO THEM AS "THE VOICES" BECAUSE. WELL. I DIDN'T KNOW SHIT ABOUT THIS STUFF THEN!! AND ALWAYS DISREGARDED THEM WHENEVER THEY SPOKE [THEY ARGUES A WHOLE LOT. LITERALLY COULDN'T DO ANY WORK FROM THE SOUNDS OF 0NI, D AND COMPLEXITY ARGUING ALL THE TIME-]

Ok.. Calm calm.....

So. I never ever listened to them and sometimes also arguing with them tried my best to ignore them.. Yelling "SHUT UP SHUT UP SHUT UP" repeatedly usually got them to... Well, _shut up._

But just. We had another argument together. After _STARSCREAM_[don't even ask me how she got in here I don't fucking know] decided to act all mighty and shit another yelling match started that I just.. Couldn't take it anymore.. I had some.. Uhm, "quite the words" to say the least. They silenced for the day after that..

And then the next morning they just.. Weren't there when I woke up. At first I was, well, glad! It was finally quite for once! I could do things that normal people did! But uh.. After the second day it was far too quiet for my liking.. And.. It's been a month now. It's still too quiet.. Starscream[why HIM instead of others I have no idea] came back for 20 minutes a week ago.. I was glad to have at least SOMEONE back but she went away again..

I learned about this whole "system" stuff thanks to a follower saying "oh this is such a funny post as a system!" on a reblog I've done. --Which led me here. I've been... _Learning_ the past few days.. And. Well. Things really do fit me well and.. I'm not sure if I hate that or not...

I.. The reason for this _ask_ is because.. I wanted to know if others had this.. Well, "_experience_" too? Like.. I.. I miss them, alright? It suddenly went from 7 to 1 in here and it's far too quiete!!! I just.. I wanted to know if there was possibly a way to bring them back..?

I understand if this isn't the way to go for this typa stuff but... I.. I really don't know _where else_ there is.

Welp. Thanks for.. Having this account and all I suppose. Were a real help in things and, the posts are quite funny as well..! [Sigh..]

- @blog-bites-eats-u-violently

Hey, there. It sounds like you've been having a rough time lately. You have my sympathies for that. I won't give too much advice on this situation you're in – I don't feel equipped to do that – but you're not alone in this experience, anon. We went through a very similar situation a few years back, actually.

At the time, we'd just recently made our then-host (as in, the headmate who was our host at the time) aware that they had others in their head, that they were part of a system. We had... a rough few months after that, filled with fear and doubt. And at one point, our then-host became overwhelmed, and ended up driving away the headmates who were talking to them.

The silence lasted for about two days before another headmate of ours stepped up to talk to our then-host, helping them work through their issues and reconnect with those they'd run off. From what they can remember of the event, it was mostly a matter of mentally "reaching out" – consciously trying to connect to the ones they'd driven off so they could apologize. None of us are sure how it worked – best we've got is that we've always visualized our communication difficulties as walls that we have to get our internal communication/messages past – but it did, and we're all chill now on that front.

So, yes, others have had this experience before, and your headmates will likely come back to talk to you again. I can't promise anything, but if my-our story is anything to go off of, even situations like this can be recoverable. It just may take a while for all the hurt to be worked out.

[cosmic-evening]

ᯓ★ it's been ages, different stages

kaminari x gn!reader

based on habit by louis tomlinson

read pt.1 here

fuck you, denki.

we're done.

denki knows he's really fucked up when even bakugo tells him off about it.

he knows he's been an idiot. who just leaves their date at the restaurant without telling them he wasn't coming?

it had slipped his mind. it really did, but when he went to text you about it, he found his messages turning green. there's a heavy feeling in his heart when he realises that you've blocked him.

he tries to play it off in front of his friends. he always said he'd mess up eventually, so what did you expect? he wasn't known around the school as boyfriend material, so this really shouldn't have come as a surprise.

none of his friends buy it. denki keeps up the pretence anyway.

until he sees you coming back to the dorms with todoroki. it's just to two of you, laughing and chatting as you bid each other goodnight and disappear into your dorms.

he could feel the exact moment, after the door to your dorm shut, that his friends' heads turn to look at him.

it's hard to pretend he doesn't care.

a week goes by of you hanging out with todoroki.

denki can't stand it.

he can't stand knowing it was his fault. that he wants you to hang out with him, but it's his fault you're not talking to him. you haven't talked to him in a week.

he can't help but see the way you laugh at todoroki's jokes instead of his.

the way his stomach drops when he sees that restaurant down the street.

the way he sees something you would find hilarious on the internet, but he can't send it to you.

it kills him.

his final bit of resolve snaps as he makes his way to your dorm room.

he knows he shouldn't, but his heart betrays his brain as he knocks, three times, on the door he knows you're behind.

"who is it?" your voice makes the knot in his stomach tighten. god, he's missed you.

"it's me."

denki can't being himself to say more.

there's a pause. all movement from inside your dorm ceases. denki holds his breath.

"...kaminari?" your voice is quiet. like you're unsure, and a little scared.

denki's heart clenches at the sound of his last name. suddenly, all bravado he had mustered up vanishes.

"yeah. can i come in?"

you open the door slightly.

denki's shoulders sag in relief, but he doesn't miss the way your eyes are guarded, wary of his presence in your dorm.

the inside of your dorm is exactly the same as he remembers, except the framed photo of the two of you was gone.

denki tries his best to ignore it.

"um, so... i wanted to say i'm sorry."

you scoff. "a bit too late for that, huh?"

denki mentally kicks himself.

"please," he tries again. "hear me out. i'm not above begging."

you cross your arms, but your lack of protest is enough for denki to keep going.

"i'm so, so sorry. i didn't mean to leave you at the restaurant, i swear. i just got caught up at training and i completely forgot to tell you. i even got flowers for you." he holds them out, and you can see that they're slightly wilted. "i know they look pretty shit right now, but that's because i picked them up last week."

one look at your face tells him you're not convinced.

"this week... it's been hell. i got the time and space i thought i wanted, but it's not what i needed. there's nothing i regret more than not spending more time with you. i was out of control, and i'm sorry i let you down."

you've never seen denki so mature before.

it's almost impressive.

"i guess i learned- but i already knew this- that i'm better with you. and i miss you so much. i'm so sorry, y/n. i'll never stop trying to find ways to make it up to you, if you'll let me."

there are tears pricking in your eyes. "denki..."

denki's eyes light up. he hates the spark of hope growing in him.

"i tried so hard to forget you. to move on. but... you're like a habit i can't break." you confess.

denki smiles, for the first time in a week. "then i never want to break this habit."

for @juni0njup1terr

[accirax]

Translating and Analyzing Project: Eden's Garden's Title Theme

Haven't personally seen anyone else do this yet, so I figured I'd share my curiosity stirred up by the just-released Main Title Theme Live Symphony Performance with the class.

As a note, I don't speak Latin at all, so I will be relying on Google (including Google Translate) to help me out. Therefore, it's possible that some segments-- especially longer sentences or phrases-- may be translated incorrectly. If you do speak Latin and notice something that's off, I'd love to know!

This post will contain spoilers for Chapter 1, so please don't read this if you aren't caught up. That being said, let's get started with my most enthralling "theory" to date: trying to reverse engineer teaching myself Latin.

Because multiple sets of lyrics are occasionally sung at the same time, it's possible that my screenshots will contain multiple phrases in them. I'll do my best to avoid having that happen as much as possible, but otherwise, the explanatory captions under the pictures should make it clear which section I'm talking about!

A simple search of "omnibus" returns that it means "to all," but "omnibus de omnibus" becomes "everything about everything." This online Latin-English dictionary clarifies that the noun "omnis" can mean "all people" or "all things/everything." The -ibus suffix could be indicative of the locative, dative, or ablative tense. Ohio State University explains that the locative conjugation indicates the place where something happens, the dative conjugation indicates the person to whom something happens, and the ablative tense is really complicated could either mean why something happened (its origin) or how something happened (the means by which it occurred).

From what I can tell, "dubitandum" seems much simpler. It's just the gerund form of the verb "dubitare," which means "to doubt." In English, a gerund is a word that ends in "-ing" but is used as a noun. "Writing" in the sentence "I like writing" is a gerund because writing is a thing (a noun) that I like. Although dubitandum is a viable conjugation for many verb tenses, it seems to appear most often in the accusative case, which refers to "the end destination."

Stringing it together, "omnibus de omnibus dubitandum" would probably mean something like "all people will eventually doubt everything", or, as Google Translate would put it, "to doubt everything about everything."

"De omnibus dubitandum" specifically is apparently a common phrase (attributed to Renee Descartes) that just means "doubt everything." According to the link I just pasted, it was also a favorite saying of Karl Marx. C-Cassidy...?

Next is both a low register and a high register singing "fiat voluntas tu." "Fiat" is the singular present tense of "to do," so basically just "do." "Voluntas" seems to pop up most frequently as a noun, meaning "will" or "intent." And "tua", much like the Spanish "tú," just means "your." Smashing those together results in "do your will," or as Google Translate more eloquently puts it, "your will be done." "Thy will be done," if you want to get really fancy.

Here comes a long one. In total, the full sentence reads, "liber scriptus proferetur, in quo totem continentur, unde mundus judicetur." Thankfully, I don't have to translate this one. My boy William Josiah Irons already did it for me!

Reason being, this line is taken directly from the medieval Latin poem Dies Irae, AKA Day of Wrath, by Thomas of Celano. (And no, I did not know this offhand, I had to look this up too). Irons' translation tries to keep the original rhyme and meter of the Latin version, so if you want to sing along, use this:

Lo, the book, exactly worded, Wherein all hath been recorded, Thence shall judgement be awarded.

However, if that version is a bit too fancy for you, Wikipedia has a more modern translation:

The written book will be brought forth, in which all is contained, from which the world shall be judged.

If you're like me and know nothing about religion, you might see "book" in a medieval Roman (AKA Catholic) song and immediately assume that they're talking about the Bible. However, if Wikipedia is to be believed, they're referencing a different piece of literature which, to be fair, is at least mentioned in the Bible...! The Book of Life in Christian faith is "God’s record of all those over the centuries who have trusted Christ as their Savior and have followed Him as Lord." Therefore, the "all that is contained" would refer to the names of all of the holy people who believe in Catholicism.

The world-judging bit refers to "Judgment Day" or "The Last Judgment." That term refers to belief that, someday, Jesus Christ will return to Earth, and at that point, God will judge everyone who's ever lived, saving the faithful people and damning the non-believers. There are varying beliefs on whether more people would be saved or more people would be damned, but considering the song is called "Day of Wrath," I have to imagine Mr. Celano wasn't that optimistic. This song is famously associated with Catholic funeral masses too, so that upbeat attitude really stuck.

I could barely even hear this part under the music, but the subtitles alerted me to the fact that the chorus chants "da mihi factum, dabo tibi ius" here! This is another one I don't have to translate, because it's a reference to something else B)

"Da mihi factum, dabo tibi ius" means "give me the facts, I will give you law," according to A Guide to Latin in International Law via Oxford Reference. The reason why it's written in Latin is because, apparently, this saying originates from the Roman court system.

Looking at the bottom row, the lower-pitched chanting says, "vulnerant omnia, ultima necat." This semi-common phrase typically translates to, "all hours wound, the last one kills," even if the "hour" ("horae") isn't included.

The top comment on this Reddit thread breaks it down the way I would if I inherently knew Latin:

Let's review the underlying grammar: Vulnerant=they wound omnia is ambiguous because it can be both the subject and the object of vulnerant. However, in this case, horae is understood to be the subject, so omnia must be the object. It means all things. If it were omnes, then it would also be ambiguous because omnes can also be both as well. [...] So Vulnerant omnia [horae]=all [hours] wound* or the hours wound all things. The second one isn't very pleasant. And Vulnerant omnes [horae]=all [hours] wound* or the hours wound [men/men and women]. Ultima necat=the last kills

The comment also elaborates that the "horae" is assumed because the phrase is often found on clocks or sundials in churches. Many different sources return this phrase (or slight variations on it) including hours in the meaning, so I'm inclined to believe that it's true.

The bottom line repeats the same phrase again after this, so I won't include it for a second time.

Our final line! In the middle row, we have "Opere et veritate, de omnibus dubitandum!" This one isn't a reference, but luckily it's still easy enough to figure out.

The second half of the sentence is something we've looked at before. As a recap, "de" means "of," "omnibus" means "of everything/everyone", and dubitandum means "doubting." So, the second half of the sentence will probably mean something like "doubting of everything."

"Opere," much like "opus" is a noun meaning "work," as in a work of art. "Et" means "and," and "veritate" means "truth." The handy-dandy Latin-Is-Simple.com conveniently puts this together as "in action and in truth."

Together, the sentence means something like "in action and in truth, have doubt of everything/everyone." Google Translate puts it as "by work and truth, we must doubt everything," but I like my translation better.

Therefore, altogether, here's a rough translation of the P:EG theme's lyrics:

All people will eventually doubt everything... Thy will be done... The Book of Life will be brought forth, in which the names of all the holy are contained, and then the world will be judged. Give me the facts, I will give you law! All hours wound, the last hour kills. In action and truth, doubt everything and everyone. All hours wound, the last hour kills!

So, let's swap out our translator hats for lyrical analysis hats, 'cause there's obviously a lot here to relate to P:EG and the concept of killing games as a whole.

The first two lines paired together are a prophecy, a threat and a promise combined. Basically, the choir is saying, "you think that people will eventually doubt everything? Well, here's your wish come true!" The line clearly connects to Damon and his core philosophy. As long as Damon continues to not want to trust anybody, then nobody will seem trustworthy. Furthermore, if Damon continues to not trust others, that means there will always be one person in the group who won't be trustful, so everyone being trustful is impossible.

Not that it's much of a surprise, but the kinda judgy tone of these first two lyrics definitely implies that Damon's attitude will be challenged (and likely corrected) at some point in the story. "Thy will" was a stylization, but the truth remains that the phrase referred to a singular entity. The lyrics place the focus on a single individual, and blames them for everything that follows by implying that the lack of trust is their fault. It's very reminiscent of the end of the Prologue, where the entire class blames Damon and Eva for ruining the vibes between them.

The Day of Wrath section continues the game's religious theming, invoking discussions of the end of all times. Although I doubt a literal Armageddon will happen in P:EG, I can certainly understand how the participants of the killing game would consider it the end of all things. Certainly, a lot of less-than-virtuous people will be dying here, especially if you're under the assumption that everyone who kills is morally bankrupt.

It's certainly an interesting implication that those in the killing game who are most virtuous might be the ones who are saved. Are they just extending that morality to how likely someone is to kill them? Like, people wouldn't kill you if they think you're cool? There is also the argument that students who are too curious or have something to hide are more likely to find themselves in deadly situations (a la Wolfgang), leaving the less bold students alive in the end. Still, that's not as much of a judgment on God's (Tozu's?) part.

Something in me wonders if this killing game might have been created as a challenge. I don't think that the motivations behind it would be to punish this group of students in particular-- we know semi-factually that some of their deepest, darkest secrets are hardly anything to sneeze at. Instead of being so targeted, the goal would be to have most of the students fail, while a select few succeed.

There's a definite possibility that Eden's Garden College-- and the titular Project: Eden's Garden-- is a ploy to weed out the "fake Ultimates" by proving who truly has what it takes to succeed in the cutthroat world of business by literally cutting people's throats. Becoming the "true face of talent" could mean literally erasing the other faces of those who weigh the title of Ultimate down; with so many Ultimates around, it's easy to not notice if one or two go missing.

If we're in a world where talent is valued above all else, the "virtue" that Tozu could be sparing them for could be talent itself. "Leadership, communication, and persuasion" are certainly skills that could help you survive a Class Trial (whether as a blackened or spotless). Depending how deep the corruption goes in this world, it's possible that the graduates of Eden's Garden Academy-- survivors of former killing games-- are simply willing to keep quiet about the Academy's dark secret if it means that they can claim all of the accolades for themselves. They fought for and earned it, after all.

If this is the direction the story takes, I can definitely see how making someone like Damon the protagonist would be the perfect choice. For him to spend all game talking about his superiority and belief in the talents of the Academy only to learn that all of the Ultimates he admired kept 14 nearly-as-talented skeletons in their closet would surely create an interesting internal conflict for the final Class Trial.

This is all just a theory, as there are plenty of other ways the Day of Wrath poem could relate to P:EG. However, I think it's a theory with a decent backing behind it.

"Give me the facts, I will give you law"-- I mean, that has to relate to Wolfgang, right? Even beyond the fact that it just says "law" in it, it's international law, perfect for an Ultimate Lawyer who wants to unite everyone. This line could definitely indicate how Wolfgang took Damon's facts (that some people in the Academy would be willing to kill) and turned them into ammunition for his own missive. If I were writing this analysis before Ch1 dropped, I would probably have speculated more about the future rivalry between Damon and Wolfgang. Instead, Damon and Wolfgang's "rivalry" is already over, with honestly not that much beef between them.

Given that Wolfgang is dead, it's also worth it to consider this outside of a Wolfgang context moving forward. This line could also relate to Damon's experiences in solving a Class Trial: after getting the facts of the case, Damon goes to the Class Trial Grounds and lays down the law.

"All hours wound, the last hour kills" is super interesting in the context of a killing game. My immediate connection was to the chapters, or in-universe Trials, of the killing game. All chapters of the game will wound Damon and the eventual other survivors, but it's the final chapter in which they're confronted with the true despairs of the world.

Another interpretation could work on a more chapter-by-chapter basis: every day in the killing game damages something, whether it's the killer's sanity or their business/reputation out in the real world, so it's in their "last hour" when they snap and need to get out. Especially with the ticking clock of the Traitor Perk out there for Eva at least and possibly future killers as well, time feels like a big factor.

In general, I would assume that (if the quote is found on clocks in churches) the phrase probably means something along the lines of "don't procrastinate," which could also be applied to the concept of Ultimates in general. They're always on that grindset.

And finally, "in action and truth, don't trust anything or anyone." This line is pretty unremarkable (being a pretty obvious repetition of Damon's mindset at the beginning of the game) other than in contrast with the beginning of the song. As I said, at the beginning of the song, the choir was almost reprimanding Damon with their "thy will be done." However, here, not trusting anything or anyone is spoken more like advice.

It could be that the choir was actually speaking more neutrally at the beginning, and that they're willing to accept the lack of trust because they always knew it would happen. Or, it could be that, by this point in the song, the lyrics have shifted to represent Damon's point of view instead of the universe's. If "I will give you law" did relate to Damon laying down the law, maybe that "I" pronoun is the point of the song at which the lyrics become Damon's thoughts?

Otherwise, maybe the choir is just meant to make Damon feel bad no matter what he does. Let's assume that, over the course of the game, Damon will come to trust certain individuals more. If true, then at the beginning of the game, the choir could be like "damn if you want to not trust people then it's kinda your fault what happens next dude," and closer to the end they could be like "oooooooh you wanna not trust people so bad remember Eva?" If the song is just meant to be an imposing feel-bad moment, then the emotions of the impartial choir could be unimportant.

And, well, that's the song! As is basically my brand, this post wound up way longer than I thought it would, back when I thought I was just going to Google Translate all the lyrics and be done with it. But, I hope that learning a bit about Latin was intriguing (assuming I did it correctly), and that the plotlines implied by the lyrics have given you a bit to chew on!

Still working on the overall Ch1 review/analysis, I just thought that writing this post would only take me, like, half an hour... Hopefully I'll see you back whenever that's done! Until then!

[oh-phoenixx]

i want to say first of all, i'm not sure where you're getting pretty privilege from in regards to peter pettigrew? it actually bothers me when people make him too attractive (like when they fancasted him as dane dehaan), and i kin him a lot so i mostly like him because i'm projecting lmao.

onto my actual point. i can see you took my post seriously, which is fine! i feel the same when i see 'joking' marauders hate. so if you don't want to hear my reasoning for not liking snape, you don't have to read this as it's a bit of a ramble, and it's not directed at you specifically, i just like yapping.

going to preface this by saying that i don't actually hate snape. i'm just not interested in his character.

i have always disliked snape in canon, even as a kid (and not because he was 'ugly and poor' as this person suggested), as he bullied children and i just thought he was annoying (i understand that they're are complexities to his character, but this is just what i thought as a child). whereas peter pettigrew and barty crouch jr, for example, weren't mentioned enough in canon for me to really form an opinion before hand as someone who was previously a very casual fan of hp.

when i joined the marauders fandom it was at a time when snape slander was like 1/3 of the content (at least on tiktok, which was my only form of marauders content). and fair enough, he took his anger out on children, was cruel towards his rival's child for years, stopped giving harry occlumency classes over something trivial, called his only friend (and the supposed love of his life) a slur for standing up for him, invented a killing curse for his childhood bullies after they had stopped bullying him.

so, yes, i hated snape, because all of this was pointed out to me repeatedly when i first joined the fandom.

however, as i do like characters such as barty, evan, and peter, i am happy to accept that some people like fanon versions of snape. i can't accept supporting his canon decisions, but i'm hoping that's not what marauders era snape fans do.

my post was simply saying that i'm not interested in snape's character. at no point did i say that was reasonable or 'fair' since i like the death eaters; he has just never been written about or talked about in a way that interests me. and considering that everyone should be allowed to enjoy things in their own way, i don't intend to look into his character to force the interest upon me. if i see so something that makes me like him, that's that.

sorry this is so long, and sorry if it sounds overly negative, this was just a much needed rant.

point is, like whoever you want, don't worry if other people don't like them as well!! i can't control what i like and what i like reading about, and i imagine neither can you.

"how can you like barty and evan but not snape?" "how can you like peter but not snape?" silly rosekiller and wormtail visions came to me in my sleep, and i simply didn't have such visions of snape. will update if i see him as a boykisser in my dreams and it alters the way i see him :)

[eirianerisdar]

Hello! I don't usually read RPF but your Icarus is my perfect measure mix of Angst and Hurt/Comfort. Chapters 18-20 for Angst, and 32 and on for Hurt/comfort are staples for the genres for me.

I'm writing a Hunger Games Fic/story inspired by brocedes and their story, and I wanted to ask: Any tips when it comes to writing a dynamic like theirs? How do you make the Angst so good? The Hurt so hurting, so when the comfort comes in, it's the perfect balance?

Thank you! I kept a couple things in mind when I wrote brocedes in Icarus:

1. It’s mutual pining. Both Nico and Lewis actually do want to repair their friendship but don’t know how to navigate their complex history without getting hurt again. They’re afraid of vulnerability but they can’t fix their relationship without it.

2. They both tend to completely assume the worst in each other’s intentions and overthink every little interaction post silver war. They spent too long actively trying to sabotage and undermine the other and keep twisting what the other says to mean something negative, when both parties might actually be wanting to extend an olive branch. An example of this is in chapter 30, when Nico is genuinely trying to offer help to Lewis and Lewis keeps thinking Nico must have a secondary agenda.

3. They both try to express that they’ve gotten over the friendship breakup in different ways. Nico’s been to so much therapy he uses CBT phrases to refer to their old relationship; he keeps bringing up Lewis and cheering him on because this way he can prove he can talk about Lewis without it affecting him anymore. Lewis is the opposite; he avoids mentioning Nico at all cost because it’s easier to say Nico meant little to him and they were never really friends than to admit what he lost.

And lastly, healing isn’t linear. Most of my stories contain an angst/hurt/comfort storyline and to get to the catharsis, most characters have to reach a deeper low than they thought they previously did because being vulnerable exposes them to the chance of being hurt. It makes the healing so much sweeter.

Happy writing and feel free to send more asks if you have anything else you’d like to ask!